Criterium — The studio offers an exhibition space for design, architecture and art practices.

Le Lieu, Centre en art actuel — RiAP is a performance art international festival that takes place each year in Quebec City. The theme of this year’s edition was praxis, logos, topos or the indivisible relation between theory and practice in art.

Éloïse Demers Pinard, Nicolas Lachapelle — During the winter of 2023, two French-Canadian documentary filmmakers travel to the isolated community of Churchill, in northern Manitoba, with the aim of recording the sound of the Northern Lights.

Le Lieu, Centre en art actuel — Inter, art actuel is a cultural periodical that disseminates various forms of contemporary art: performance, installation, poetry, manipulation, multimedia, while questioning the relationship between art and society, culture, politics, and ethics.

Nicolas Lachapelle, Cinéaste documentaire canadien — “Chasse interdite” (Forbidden Hunt) is a documentary about caribou hunting by Innu hunters in Quebec. This tradition is strictly illegal and has never been documented in book form before. The book consists of two parts: text and images that can be experienced simultaneously thanks to a custom Swiss double binding.

Projet de recherche du studio — We tested the ergonomics of an ultra-minimalist typographic approach in order to visualize the year as a monolithic block composed of days.

Daniel Hausmann — Alongside the constantly rising new buildings in Montreal, another era, that of industrial development, has left its mark on the urban landscape. Since the 1990s, Daniel Hausmann has observed its movements and invested them with performative actions, bearing witness to a life of their own.

Manif d’art, Biennale d’art contemporain de Québec — Manif d’art is a winter art biennial held in Quebec City. As this year’s theme was “the power of sleep,” our response was to create the largest exhibition book possible, while keeping it as light as a pillow.

Collectif pour un Québec sans pauvreté — For the Collectif pour un Québec sans pauvreté (Collective for a Poverty-Free Quebec), this book compiles articles on how poverty has been covered by traditional media over the past 50 years. The texts have been reformatted to reflect the styles of newspapers of the time.

Workshop — A Workshop that investigated the creation of modular typographic characters inspired by the architectural heritage of the city. The participants had to create a modular grid based on their favourite heritage building in proximity to of the workshop, and create a complete alphabet using the architectural elements of the façade as a grid. Creative Director: Maxime Rheault, Nadine Ouellet

Charles-Frédérick Ouellet — Alta: A Breath of Reality, an exhibition by artist and photographer Charles-Frédérick Ouellet, presented at the Maison des Jésuites. Charles-Frédérick Ouellet explores the life of images: their power to document, but also to reveal what remains outside the frame. He highlights what he calls the “double life” of photographs, between what they show and what they hint at. The words of freelance journalist and writer Frédérick Lavoie accompany Charles-Frédérick Ouellet's works in a journal that visitors can consult on site.

La Rotonde — Poster for the season of La Rotonde, a contemporary dance presenter. Constructed from a decomposition of movements, then reassembled and layered, this visual reinterpretation celebrates movement in an unusual way and reflects the look of La Rotonde.

École de joaillerie de Québec — Wearable business card ring for the Jewelry School of Quebec City.

Charles-Frédérick Ouellet — In 1673, Louis Jolliet crossed the watershed connecting the lake to the great waters and the winding river that flows southward. Drifting through the winter in unknown territories, to winter there.

Micah Lexier — Limited-edition publication for Micah Lexier's exhibition, 13 Coins in 13 Corners. Each page depicts a corner of the gallery before installation, while the central double-page spread offers visitors a map of the space where the pieces are hidden. Accompanied by an original piece from the exhibition.

Laiterie Urbaine de Québec, Le Renard et La chouette — Reusable milk bottle for Laiterie Urbaine de Québec. The typography pays homage to the heritage of dairies of the past, while the symbol refers to the cow's four udders.

Office fédéral suisse de la culture — Every year, the Swiss Federal Office of Culture organizes the exhibition Les plus beaux livres suisses (The Most Beautiful Swiss Books). On the initiative of Louise Paradis, a professor at Laval University, the exhibition was presented for the first time in Quebec City, at Maxime Rheault's gallery. The latter designed the poster, drawing inspiration from the Swiss style and adding a contemporary touch: font (Optimo/Antique Legacy), materiality (mirror material/non-color), composition (mise en abîme of screen printing and evocation of the book as an object).Translated with DeepL.com (free version)

Reno Salvail — Five volcanic zones are connected by straight lines to the center of the Earth to project the shape of a pyramid. The instability of the telluric forces that govern environments appears as a metaphor for the imponderables that also govern living beings.

Péio Eliceiry — Parallel Brutalism: an exploratory collaborative exhibition focused on architecture. Driven by a radical post-war avant-garde movement, brutalism in architecture is a social expression typical of its time. Its late influence in Quebec City can be seen in its large raw concrete structures, Péio Eliceiry.

Simon Emond, Michel Lemelin — Rebâtir le ciel is a multifaceted creation, combining literature and photography, seeking to define itself neither by one nor the other, but rather as an iconoclastic and adventurous work of art, open and useful, documentary and inventive.